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It wouldn’t fit to Amelie’s cinematic universe, either. The orchestra, as it is usually used in a film score has no place in the musical world of Yann Tiersen. In the following track list, you can see which tracks were composed especially for the film and which were used from other Tiersen albums, for further musical exploration. Ten out of twenty tracks of the soundtrack, were selected from previous albums by Yann Tiersen, a difficult selection, as stated by the director, since many more matched the spirit of the film. On the occasion of Amelie’s music these are: toy piano, carillon, banjo, mandolin, guitar, clavecin, vibraphone, accordion, piano, bass, melodica. This voice is shaped by using specific instruments, the composer loves to perform. Either you know the cinematic side of Tiersen, either you know the musician Tiersen through his albums, you will find a single unified musical voice. All the music composed on the occasion of a film is not a foreign object in the whole of his musical career. For Yann Tiersen, t he case of “Amelie” was a godsend gift, which on a personal level gave him the opportunity to find a new field for his musical expression.Īll the music Tiersen wrote in the years preceding his cinematic ventures does not differ in style from the new compositions written exclusively for the cinema. Fate intervened and the decision was already made: Yann Tiersen was to be the composer of the film! A musician who is able to perform a great variety of musical instruments, known in his country by his solo CD album releases, before becoming an international star on the occasion of “Amelie”, a film which really catapulted the devotees of his musical voice. His name was Yann Tiersen, a French musician. Until the night came, Jean-Pierre Jeunet had purchased every CD released by the artist, whose music was so enjoyable. The CD player was on and the director was impressed by the music he heard playing. A coincidence, however, reversed the normal flow of things: one day a member of the crew offered to give the director a lift. All you have to do is just press “play” and let the music do the miracle! And if you don’t believe that music can do wonders, then perhaps this soundtrack can make you reconsider! Cause this particular soundtrack has the ability to make its listener see the world through Amelie’s eyes, eyes that sparkle with enthusiasm and mood for mischief, structural elements that characterize the likeable heroine of Jean- Pierre Jeunet’s film.Īmelie’s director, Jean-Pierre Jeunet, had Michael Nyman in mind as his choice for the composer of the film.
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Would you like to feel an immediate injection of optimism? Would you like to experience an imaginary musical universe overflowing with kindness? Or perhaps beamed to Paris, to places where Amelie wandered? All the above are possible by listening to the soundtrack of the film.
![la valse d'amelie meaning la valse d'amelie meaning](https://musescore.com/static/musescore/scoredata/g/b5c99ffdafa1154e0d9cad35dc71ea78c9877c4d/score_0.png)
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Τhe music of the film coincides perfectly with Amelie’s fantasy world. An eccentric soul, who carries her own fantasy world as a survival tool, where the real world turns into something far more beautiful and kind. An inexhaustible source of kindness, that consciously neglects to become a part of troubled everyday life. A girl who prefers to socialize with smiling people, who face life with optimism. Sets and costumes (visual stimulus), and the soundtrack (sonic stimulus), all are inspired by Amelie’s unique character, a young girl who lives in France and she likes to improve the lives of people surrounding her. Of course, Amelie’s specific temperament is the starting point for realizing the film on a visual and sonic level. “Amelie” has become a reference point for the French cinema, a romantic comedy with a rather distinctive personality in every aspect of its production. “Give yourself a special gift: Amelie’s soundtrack.įor the rest of your life, you’ll be happy that you did!“